I Can’t Write Until I Have Something Deep To Say
I think people sometimes believe that writers must have deep and important thoughts before they start writing. Shakespeare had all the poetry in his head, just bursting to get out. Jane Austen already knew the intricacies of the social dramas she so brilliantly portrayed.
Okay, obviously I can’t check with these guys to be sure, but that’s not my experience nor that of any writer I know or have heard speak of the writing process.
Bad news: can’t do deep to order
Setting out to be ‘deep’ seems a dubious way to start.
First, and importantly, it may stop you from writing at all because you haven’t yet acquired the ‘depth’ that you think you need to write.
Secondly, and equally important, the final product is almost guaranteed to be pretty boring. Earnest and worthy, perhaps. But not good reading.
This approach ups the chances that your characters are representations of your ideas (sincerity, truthfulness, whatever) rather than living breathing entities who can be both inspiring and despicable. In short, human.
Also, novels with an a priori message are prone to long passages where they figuratively hit the reader over the head with “this is my message—get it?” Most readers don’t like being preached at from a fiction pulpit.
Good news: don’t need to
But the good news is that a message is not required before starting to write.
With my first book, I realized what the book was about only near the end of the writing that . But I didn’t have time to redo it as I was committed to a publisher’s deadline. With the second book, I built in enough time to do a redraft which allowed the threads to become clearer. I would have liked to have done another draft to refine it but again, I needed to respect the publisher’s deadline.
What I am trying to say is that whatever depth I was able to demonstrate on the page was as a result of refining, elaborating, streamlining, and sometimes chopping. It did not appear as whole cloth the first time through.
The act of writing prompts the thinking and reflection. One idea flows to another and another. The thinking and writing grows from what it feeds on. And then you rewrite and rewrite to get it right.
So when you consider a book you admire for its insights and depth, recognize that you are seeing the result of the unseen struggles of the author to make his message clearer, more nuanced, and insightful. Don’t compare what you turn out the first time with the author’s finished product. It really is apples and oranges.
You do have something worth saying but you have to work at bringing out. The depth will come with the writing, rethinking, and rewriting.
How do I do it?
Rather than starting out with the intention of writing something deep and important, start out with a situation, or a character, or a moment in time, which feels as if it has meaning for you. A terrible injustice, a generous person, the bravery of a group.
Whatever it is, write the scene which renders that feeling without using the terms I just used (i.e. terrible, generous, bravery). Show the actions of the characters which will prompt in the reader the same feeling that you had/have without naming it. Then rewrite until the message comes across in a satisfying way.
So you can do deep—you just have to work at it.
